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AuthorSarah Dillon

Author Archive: Sarah Dillon

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May 22, 2017

I know that everybody’s already read Hera Lindsay Bird You have scrutinised the poems……………….and the poet But it’s late on a Monday and my flatmate is the books editor and I’m Doing her a solid.   The thing with Hera’s poetry is………………………………….. It’s ineffable……………………………………….. “It’s like the World of Wearable Art.” There’s a reason she’s […]

April 3, 2017

Through Twitter, word-on-the-street, and a suitably mysterious Facebook private message, I found myself packed into Unity Books on a Tuesday evening like the proverbial sardine in a tin. For what? I don’t know exactly. As a Twitter acquaintance will later quip, Nicky Hager is one of only a handful of New Zealand writers who could […]

July 24, 2016

This is not a bandwagon. I don’t think that men shouldn’t direct films. I don’t think they direct ‘bad’ films. I do think they direct most films—and I do question why. Last year, a blogger I follow semi-obsessively (she works for Rotten Tomatoes, okay—it’s the dream) undertook a challenge in which she watched and reviewed […]

October 11, 2015

★★★★½ This isn’t a review: I’m too emotionally involved. Here’s the thing about this film. I thought it was going to be a safe watch. I mean, Nancy Meyers, right? She wrote The Holiday, which I unashamedly pronounce my all-time favourite good-bad Christmas film. It started with a male voice-over, and that’s what I was […]

September 20, 2015

★★★★ Amidst the glut of contemporary Hollywood films employing excess and stylishness to produce spectacle—and, all importantly, box office dollars—lies J.C. Chandor’s A Most Violent Year, a thoughtful return to simple storytelling and minimalist aesthetic. It’s slick and stylised, with a muted colour palette and precise clean cinematography, and comes off as a carefully considered […]

July 12, 2015

½ (have half a star for trying, Fontaine) During this film, baker and all-round creepy guy Martin Joubert (Fabrice Luchini) classes Gustave Flaubert’s original novel, Madame Bovary, as “a mundane story told by a genius”. I’m not sure, then, what the rationale behind director Anne Fontaine trying to retell the same story with a contemporary filmic […]

May 17, 2015

★★★★ Parisienne icon; fashion house; luxury goods company; and one of the world-renowned labels that’s spurred countless Chinatown spinoffs—now, it’s director Frédéric Tcheng’s latest in a line-up of documentary homages to beloved fashion figures. Tcheng’s previous work on Valentino and Vreeland has been well regarded, and Dior and I is no exception to the rule, […]

May 3, 2015

★★★ I hate math. One of the best things about this film is that it’s not really about math. X + Y tells the story of Nathan (Asa Butterfield), a young boy with autism and synaesthesia who loses his father in a traumatic car crash, and, as the title suggests, is extraordinarily gifted at mathematics. […]

March 23, 2015

★★★ It’s easy to see why Sony Pictures scooped up Alice from the Toronto Film Festival. There are two key reasons: their names are Julianne Moore and Alec Baldwin, and they propel along a simple, snappy, and surprisingly un-soppy film about illness, family, and (of course) love. Moore plays Alice Howland, a linguistics professor diagnosed […]

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